Randy Kaplan is a Brooklyn-based songwriter known for his incisive lyrics and songs that blend American roots, folk, alternative, and pop. As indebted to I.B. Singer, John Ashbery, and Woody Allen as he is to Robert Johnson, John Prine, and Dave Van Ronk, Kaplan's unpredictable live shows include original compositions, Tin Pan Alley gems, obscure Broadway numbers, Rap classics, and Delta Blues songs. These songs are by turn narrative, expressionistic, and theatrical. Randy recorded two records this past summer, working again with bluegrass master Mike West in Lawrence, Kansas at his Ninth Ward Pickin' Parlor. One CD, Loquat Rooftop, will be for children and their families and the other, Ancient Ruins, will be for adults. They are due out this Winter.

Randy has released six CDs, the most recent being the children's record FIVE CENT PIECE. The CD features classics like "Over the Rainbow", "Kids" (from Bye Bye Birdie), and "You Can't Always Get What You Want", and original songs like "Shampoo Me", "Mosquito Song", and "Roaches" (they're tryin' on your underwear, checkin' out your grocery list, readin' your copy of Metamorphosis). Kaplan's first children's CD has been praised and recommended by New York Magazine, Time Out New York Kids, Cookie Magazine, Parenting Magazine, and others.

Before FIVE CENT PIECE came PERFECT GENTLEMAN, for which Randy amassed a collection of cheap yard-sale organs. He used their built-in drum samples to create rhythm tracks; he then utilized these rock, jazz, waltz, swing, bossa nova, dixie, cha-cha, and rhumba beats to fashion songs ranging from simply-structured folk and country ballads to torch songs, lampoons, spirituals, and satires. By editing, manipulating, and overlapping the beats from these various 1970's organs Randy transformed the crude and kitschy samples into more polished and developed sounds. At times, though, he just placed a sound 'as is' into a new context. The characters who inhabit these songs often seek to gain mastery over their chronic pathologies, or at least to acknowledge them. These characters include an anti-prophet who asks only that he be given as big a funeral as Jesus and Moses, an overweight middle-aged man who carries around a picture of his shirtless teen-aged self in order to lure women, the ghosts of Edith Wharton and Alexander Hamilton, a trucker driven to prostitutes by southern evangelical radio preachers, and the first human on earth (the hermaphrodite, Eve).

MIRACULOUS DISSOLVING CURES was released by Randy in 2001. The record is a musically rich collection of threnodies and noiresque tales that find Kaplan battling the forces of love and loss as well as the hypocrisy of both the secular and religious worlds. In "Crushed Berries" the narrator laments that his "friends will save a fly from a spiderweb but then they'll order rack of lamb or baby back ribs." In "Volunteers" the ghost of Job's wife rails against G-d for letting her children die "because of some bet, some stupid bet." "Cutty Reel" is the dreamscape of a jilted degenerate; in an attempt to win back his beloved, he tries to buy a voodoo doll of her but finds that they're "all sold out." Stylistically, the record ranges from the quasi-Latin beat of "Crushed Berries" to the hint of electronica in "The Girl Who's Done It All" to the irresistible mix of synthesizer and Spanish guitar throughout "Unpaid Bills". There's also a full-color 12-page CD booklet featuring abstract paintings juxtaposed to the words for each song. MDC was recorded by Colin Mahoney in Lawrence, Kansas. The record also features Brian Schey on bass and Bradford Hoopes on keyboards.

In 1999 Randy released two albums simultaneously, REBORN AS BEES and LAKE CHAMPIONS. Both were recorded at Z'gwon,th Studios in Lawrence, Kansas by Colin Mahoney, who also played drums.

BEES was created as a tribute to Randy's father, who died in an automobile accident in the summer of 1997, and as an investigation of grief and hope. It is an eloquently dark and sometimes angry record but it is also universal in its hard-driving and melodic psychological study of loss, unfulfilled love, and the struggle to find second chances. Backed up by a full band, Kaplan opens the album quietly and gently with cautious hope in his voice: "I know the end is near but so is the beginning". He sings about unanswered prayers in "Deaf Ears", of a numb rebounding in "No Matter What", and with paranoid and helpless rage in "Many Times Over" and "Great Disguise". REBORN AS BEES, whose title comes from a Chasidic saying via Martin Buber, is a true concept album- a profound, gallant, and mystical work.

LAKE CHAMPIONS was recorded during the REBORN AS BEES sessions. On a day when Randy didn't feel like working on BEES, he sat down with his guitar and recorded eight songs. He sent the demo to his anarchivist Scott Bernstein who decreed that an album must be made from the demo. Randy sat down one more time and recorded eight more songs. This eclectic record has just about everything: torch songs, ballads, and tales; hope, love, and despair. In "Drunk As Can Be" a southern boozer tries to extricate himself from an addictive relationship. In "I Didn't Buy It", a sympathetic cad second-guesses himself and his dearly disposed. The narrator of "Gold" enjoys requited and true love while in "Robinson Crusoe" a man with a strong sense of entitlement tries to lay down the rules for a lopsided affair. In "Next To You" a woman makes her lover feel like Humbert Humbert and Jack the Ripper. A man visits the seedy bars of his old neighborhood in "Standard Time Chop" and, repulsed, is filled with domestic yearnings. In "G-d's song" a gentle, forthright, practical, and insecure G-d revises his commandments - eliminating circumcision, easing the strictures on sexuality, condoning drug use, and admitting that even He isn't quite sure of what's going on. LAKE CHAMPIONS is a personal and intimate album that touches on all the trademark Kaplan subjects.

In early 1997, Randy was living in the living room of his friend and aformentioned anarchivist Scott Bernstein in Los Angeles. He recorded BOYISH HIPS there on his Tascam 4-track cassette recorder. On the record, his first CD, Randy used guitar, harmonica, piano, Fender Rhodes, and pots & pans as percussion instruments to orchestrate a joyful, Caribbeanesque sound. This deceptively light collection of songs includes "Slow Eater", in which a man denies being a binger and instead blames others for eating too slowly and too sparsely. In "Everyone I See", a man employs skewed logic to defend his inability to commit himself to one woman. "Coach Joe" tells the story of the life and death of a sexual predator. In "Ten Page Letter", a woman demands "action not words" from a man who can do nothing about his feelings but express them in letters. "Send For Our Stuff" is both a love song and a tribute to the naive beauty of Los Angeles (where Randy lived for eight years), seen here as a place where one's innocence may be renewed. The confessional poem "Live Tigers" is set to piano and nylon-string guitar music for the record's final track. This experimental album is full of lyrical and emotional minefields and fraught with neurotic wit, unbridled perplexity, and desperate passions. The narrators of these songs have insatiable cravings for sex, food, love, and, sometimes, self-destruction.

Randy began performing professionally in Los Angeles in 1987. He had moved there to pursue an acting career (which he did, appearing on numerous sit-coms, dramas, commercials and equity-waiver theatre stages) and took up folk singing on the side. He recorded and performed solo and subsequently with his band "i" which was made up of Randy, Brian Schey on bass, Sherri Solinger on drums, and Byron Thames on piano and organ. The band's diminutive moniker got it left off of billboards from The Roxy to The Troubadour to The Whiskey A-Go-Go. Kaplan often cavorted, frolicked, and/or performed with fellow L.A. songwriters of the time Dan Bern, Eleni Mandell, Andras Jones, Stephanie Naifeh, Julia Albert, Stuart Pearson, Danny Peck, Fran Banish, Kevin Ray, Danielle Harrison, Chuck E. Weiss, Steve Isaacs, Darlene "The Raven" Sovran, and others. Randy left Los Angeles in 1993 and spent time in New Orleans where he first met and performed with Mike West, Myshkin, and Gina Forsyth. In 1994 Randy moved to the East Village in New York city and continued recording demos, playing at Sin-e, The Living Room and The Sidewalk Cafe (and occasionally touring), appearing on bills with the likes of Lach, Jeff "Lighting" Lewis, Major Matt Mason USA, Andrew Vladeck, Shawn Mullins, Cheryl Wheeler, and his West Coast and Deep South gangs.

After a few years of drifting back and forth between California and New York, Kaplan's Kansas stint began. He lived in the Midwest from 1999 until 2001 when he moved back to Long Island. In 2003 Randy found a dog, Virginia Halfwolf, on the Long Island Expressway and settled in Brooklyn, New York. Randy is mostly a one-man show these days but is occasionally joined by his friends Ryan Thompson on drums, Andrew Innes on saxophone, saw, and harmonica, Jody Burr on larynx, Adrian Varnum on violin, and sometimes even the reclusive Gago on the Venezuelan Channel Organ.